Statement
Using historically and politically informed research, my work seeks to investigate the nature of perception of images and history, and to explore the ways in which information is understood through different means of mediation. Weaving in personal perspective and poetic elements, I seek to deconstruct perception by exploring surface, and the fidelity of different means of transmission of image, text and appearance. My most recent work confronts themes of memory and how information is collectively and personally remembered via images. As technology stores more and more of our range of perception, we begin to use terms in which machines store information to refer to our own perception of the past. I wanted to use this work to examine the role of digital surveillance, our sense of political and personal violence, and ideology and its personal effects on our sense of self. Although a digital image is in some ways an exact reproduction of a certain moment or reality, it does not reflect the experience that occurred in the actual moment that was reproduced. These pieces are various explorations of this medium, and the idea of the imperceptibility of a memory or an event. I have begun to examine the role of my own subjectivity and the struggle to relate certain experiences of individual trauma, and shared trauma experienced via imagery and writing. Examining the medium and viewer’s associations with it as well as how this affects recollection have become key questions. I’m interested in the way information is revealed and withheld, altered, and informed. Navigating the distance between oneself and events--not only collective events that can be understood as historical, but individual seeing and remembrance--is a concept important to the evolution of my connection to others and interacting with the world as a global citizen. With the constant incursion of information relating to violence, and separately violence itself, deconstructing my vision and understanding of images has become a vital thread in my work. |
Education
2019 Virginia Commonwealth University, MFA Painting and Printmaking
2016 School of the Art Institute of Chicago, BFA Emphasis in Writing
Selected Exhibitions & Readings
2021 Palpable Tensions, Featuring Work by the Milwaukee Queer Artist Collective,
Woodland Pattern Book Center, Milwaukee, WI
2019 Phone Home, Elizabeth Foundation for the Arts, New York, NY
Warning: [Re]appropriated Imagery, Ideology and Public Images, Master of Fine Arts
Thesis Exhibition, Anderson Gallery , Richmond VA
New Impressions: A Showcase of Contemporary Printmaking, Sechrest Gallery, Highpoint University, High Point, NC
Parallel Play, FAB Gallery, Richmond VA
2018 I Had a Flashback of Something That Never Existed, The John Marshall, Richmond VA
A Strong Line, Gallery VCU, Doha, Qatar
2017 L'Heauxspitalitea, FAB Gallery, Richmond VA
Movable Feast Reading Series, Visual Arts Center, Richmond, VA
2016 Compressing Space, 917 Cornelia Ave, Chicago IL
Bachelor of Fine Arts Thesis Exhibition, Sullivan Galleries, Chicago IL
Bachelor of Fine Arts Emphasis in Writing Thesis Reading, Leroy Neiman Center, Chicago IL
2013 Until, Defibrillator, Chicago IL
Artbash, Sullivan Galleries, Chicago, IL
2011 Superevening: Flashes New Work, MacLean Center Ballroom, Chicago IL
Publications
2021 Cream City Review, Spring 2021 Featured Artist
Talks/Lectures
2019 [Re]appropriated Imagery, Ideology and Public Images, MFA lecture, VCU School of Art
2018 I had a Flashback of Something That Never Existed, Gallery Talk the John Marshall
2016 Gallery Talk, Joan Flasch Artist Book Collection at the Art Institute of Chicago
Permanent Collections
Joan Flasch Artist Book Collection at SAIC
Awards
2021 United States Artist Relief Grant 2021
2017-2019 Graduate Teaching Fellowship at Virginia Commonwealth University
2014 Pritzker Family Foundation Award
2012 Distinguished Merit Scholarship at SAIC
Teaching
2017-2019 Virginia Commonwealth University, Richmond VA
Instructor, School of Arts
2015-2016 School of the Art Institute of Chicago
Teaching Assistant, Contemporary Practices
Technical and Administrative
2021-2022 School of the Art Institute of Chicago
Computer Resources Coordinator
2012-2016 SAIC Resource Technician
2014-2015 AV Chicago
Audio Visual Assistant
Professional Service
2021 Iowa City International Documentary Film Festival
Screener
2012-2016 F Newsmagazine at SAIC
Staff Writer
2012-2013 East Lansing Underground Film Festival
Office Manager, Film Selection Committee